The annual SCA-wide fencing and clothing event was this past weekend (as was Calontir's Crown Tourney- congrats to Their new Excellencies Donngal and Catalina!).
Unfortunate circumstances led to me missing all the morning classes I wanted to go to on subjects such as body mechanics and single rapier fundamentals, so the only fencing class I went to was the rapier and dagger master class. I got some good tips out of it for future reference, but I don't own a dagger yet and the room was waaaay too crowded, so I didn't get to actually try anything.
The clothing class, however, was extremely beneficial. It turns out I took a class from the same teacher at Dragon*Con two years ago. She taught back-to-back classes on making patterns for Central Asian kaftans (caftans with her spelling; it doesn't really matter). She also gave us background info (hurray!) on why kaftans were constructed the way they were. Having two layers in front with a wrap kaftan I knew about- it combats the cold wind blowing straight at you when you're riding a horse. She also talked about the vestiges of those original purposes which were retained in later period sedentary cultures. One thing she pointed out (which she also talked about in the D*Con class) was how she'd spent a long time trying to figure out the neckline in a Persian (I think) kaftan, only to realize that it was the same pattern used by Turkic nomads, just the two sides attached down the center instead of wrapped.
She had this brilliant method of teaching us a basic Turkic nomad kaftan pattern. She passed out pieces of fabric for us to cut the pieces for miniature kaftans out of. The fabric was black and white checked, which meant you could designate each small square as being a certain number of inches. It works brilliantly! I need to find some of that now.
One of the things she pointed out that had been bothering me when trying to draft patterns was shoulders. I couldn't figure out how to get the shoulder seams to lay flat against me. Turns out they aren't supposed to (at least not before later period kaftans). Shoulder seams should be straight and the pooching in front is supposed to be there.
Her name is Jadi Fatima. She primarily researches Ottoman, Mongolian, and Persian culture, textiles, and dance. She does brilliant work and I highly encourage visiting her website.
There was a ball Saturday night, for which my ride and I were the only musicians. Christian is a music Laurel (he mostly played recorder with a little guitar) and I played the drum. ...That was the second time I've picked up a bodhran. I think I did okay. o_o As he described the situation, all the musicians were from Calontir and we definitely stayed in tune the entire time.
Unfortunate circumstances led to me missing all the morning classes I wanted to go to on subjects such as body mechanics and single rapier fundamentals, so the only fencing class I went to was the rapier and dagger master class. I got some good tips out of it for future reference, but I don't own a dagger yet and the room was waaaay too crowded, so I didn't get to actually try anything.
The clothing class, however, was extremely beneficial. It turns out I took a class from the same teacher at Dragon*Con two years ago. She taught back-to-back classes on making patterns for Central Asian kaftans (caftans with her spelling; it doesn't really matter). She also gave us background info (hurray!) on why kaftans were constructed the way they were. Having two layers in front with a wrap kaftan I knew about- it combats the cold wind blowing straight at you when you're riding a horse. She also talked about the vestiges of those original purposes which were retained in later period sedentary cultures. One thing she pointed out (which she also talked about in the D*Con class) was how she'd spent a long time trying to figure out the neckline in a Persian (I think) kaftan, only to realize that it was the same pattern used by Turkic nomads, just the two sides attached down the center instead of wrapped.
She had this brilliant method of teaching us a basic Turkic nomad kaftan pattern. She passed out pieces of fabric for us to cut the pieces for miniature kaftans out of. The fabric was black and white checked, which meant you could designate each small square as being a certain number of inches. It works brilliantly! I need to find some of that now.
One of the things she pointed out that had been bothering me when trying to draft patterns was shoulders. I couldn't figure out how to get the shoulder seams to lay flat against me. Turns out they aren't supposed to (at least not before later period kaftans). Shoulder seams should be straight and the pooching in front is supposed to be there.
Her name is Jadi Fatima. She primarily researches Ottoman, Mongolian, and Persian culture, textiles, and dance. She does brilliant work and I highly encourage visiting her website.
There was a ball Saturday night, for which my ride and I were the only musicians. Christian is a music Laurel (he mostly played recorder with a little guitar) and I played the drum. ...That was the second time I've picked up a bodhran. I think I did okay. o_o As he described the situation, all the musicians were from Calontir and we definitely stayed in tune the entire time.
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